The Devonshire Manuscript/Works Cited N-Z

N

Narasingha, Sil P. (2001). Tudor Placement and Statesmen: Select Case Histories. Madison, NJ: Farleigh Dickinson University Press.
Nash, Jerry C. (1997). "Renaissance Misogyny, Biblical Feminism, and Helisenne de Crenne's Epistres Familieres et Invectives". Renaissance Quarterly. 50: 379–411.
Newlyn, Evelyn S. (2004). "A Methodology for Reading Against the Culture: Anonymous, Women Poets, and the Maitland Quarto Manuscript (c.1586)". In Sarah M. Dunnigan, C. Marie Harker, and Evelyn S. Newlyn, eds (ed.). Woman and the Feminine in Medieval and Early Modern Scottish Writing. Basingstoke, England: Palgrave Macmillan. pp. 89–103. ISBN 1-4039-1181-9. {{cite book}}: |editor= has generic name (help)CS1 maint: multiple names: editors list (link)
Newlyn, Evelyn S. (1999). "Images of Women in Sixteenth-Century Scottish Literary Manuscripts". In Elizabeth Ewan and Maureen M. Meikle, eds (ed.). Women in Scotland : c.1100–c.1750. East Linton: Tuckwell Press. pp. 56–66. {{cite book}}: |editor= has generic name (help)
Nichols, Stephen G. (1991). "On the Sociology of Medieval Manuscript Annotation". Annotation and Its Texts. New York: Oxford UP. pp. 43–73.
Normand, Lawrence (1997). "Witches, King James, and the Masque of Queens". In Claude J. Summers and Ted-Larry Pebworth, eds (ed.). Representing Women in Renaissance England. Columbia: University of Missouri Press. pp. 107–120. {{cite book}}: |editor= has generic name (help)
North, Marcy L. (2003). The Anonymous Renaissance: Cultures of Discretion in Tudor-Stuart England. Chicago: U of Chicago P.
Nott, George Frederick, ed. (1815). The Works of Henry Howard, Earl of Surrey, and Sir Thomas Wyatt the Elder 1815-16. Vol. 2. London: T. Bensley. {{cite book}}: |first= has generic name (help)

O

O'Callaghan, Michelle (2000). "Publication: Print and Manuscript". In Michael Hattaway, ed (ed.). A Companion to English Renaissance Literature and Culture. Malden: Blackwell. pp. 81–94. {{cite book}}: |editor= has generic name (help)
O'Day, Rosemary (2001). "Tudor and Stuart Women: Their Lives through Their Letters". In James Daybell, ed (ed.). Early Modern Women's Letter Writing, 1450-1700. Early Modern Literature in History. Basingstoke, England: Palgrave. pp. 127–142. ISBN 0-333-94579-4. {{cite book}}: |editor= has generic name (help)
O'Donoghue, Bernard (1982). The Courtly Love Tradition. Manchester: Manchester UP.
O'Neill, Eileen (2005). "Early Modern Women Philosophers and the History of Philosophy". Hypatia. 20 (3): 185–197. ISSN 0887-5367.
Ogilvie, Sheilagh (2004). "How Does Social Capital Affect Women? Guilds and Communities in Early Modern Germany". American Historical Review. 109 (2): 324–359. ISSN Accession Number: 12992671 0002-8762 Accession Number: 12992671. {{cite journal}}: Check |issn= value (help)
Orgel, Stephen (1994). "Acting Scripts, Performing Texts". In Randall McLeod, ed (ed.). Crisis in Editing: Texts of the English Renaissance Papers Given at the Twenty-Fourth Annual Conference on Editorial Problems, University of Toronto, 4–5 November 1988. New York: AMS Press. pp. 251–294. {{cite book}}: |editor= has generic name (help)
Orgel, Stephen (2000). "Margins of Truth". In Andrew Murphy, ed (ed.). The Renaissance Text: Theory, Editing, Textuality. Manchester: Manchester UP. pp. 91–107. {{cite book}}: |editor= has generic name (help)
Orgel, Stephen (1984). "What is a Text?". Research Opportunities in Renaissance Drama. 24: 3–6.
Orlin, Lena Cowen (1995). "The Fictional Families of Elizabeth I". In Carole Levin and Patricia A. Sullivan, eds (ed.). Political Rhetoric, Power, and Renaissance Women. Albany: New York State UP. pp. 85–110. {{cite book}}: |editor= has generic name (help)
Orth, Myra Dickman (2001). "Family Values: Manuscripts as Gifts and Legacies Among French Renaissance Women". Journal of the Early Book Society for the Study of Manuscripts and Printing History. 4: 88–111. ISSN 1525-6790.
Ostovich, Helen (1999). Other Voices, Other Views: Expanding the Canon in English Renaissance Studies. Newark London: University of Delaware Press; Associated University Presses. ISBN 0874136806 (alk. paper). {{cite book}}: Check |isbn= value: invalid character (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
Ostovich, Helen (2004). "Preface". In Nancy Copeland, ed (ed.). Staging Gender in Behn and Centlivre: Women's Comedy and the Theatre. Aldershot; Burlington, VT: Ashgate. p. 1. {{cite book}}: |editor= has generic name (help)
Ostovich, Helen (2004). Reading Early Modern Women: An Anthology of Texts in Manuscript and Print, 1550-1700. London; New York: Routledge. ISBN 9780415966467 (pbk.). {{cite book}}: Check |isbn= value: invalid character (help); Unknown parameter |coauthor= ignored (|author= suggested) (help)
Ottenhoff, John (1999). "Mediating Anne Locke's Meditation Sonnets". In Helen Ostovich, Mary V. Silcox, and Graham Roebuck, eds (ed.). Other Voices, Other Views: Expanding the Canon in English Renaissance Studies. Newark: U of Delaware P. pp. 290–310. {{cite book}}: |editor= has generic name (help)CS1 maint: multiple names: editors list (link)

P

Pacheco, Anita (2002). "Introduction". In Anita Pacheco, ed (ed.). A Companion to Early Modern Women's Writing. Blackwell Companions to Literature and Culture. Oxford; Malden, MA: Blackwell. pp. xiv–xx. {{cite book}}: |editor= has generic name (help)
Panizza, Letizia (1999). "Introduction to the Translation". In Anne Dunhill, trans. and ed (ed.). The Nobility and Excellence of Women, and the Defects and Vices of Men by Lucrezia Marinella. Chicago: U of Chicago P. pp. 1–34. {{cite book}}: |editor= has generic name (help)
Panizza, Letizia, ed (2000). Women in Italian Renaissance Culture and Society. Oxford: European Humanities Research Centre. ISBN 1900755092. {{cite book}}: |first= has generic name (help)
Parker, David Reed (1998). The Commonplace Book in Tudor London: An Examination of BL MSS Egerton 1995, Harley 2252, Lansdowne 762, and Oxford Balliol College MS 354. Lanham, Md.: University Press of America. ISBN 0761812423 (alk. paper). {{cite book}}: Check |isbn= value: invalid character (help)
Parker, Deborah (1996). "Women in the Book Trade in Italy, 1475-1620". Renaissance Quarterly. 49: 509–542.
Parker, Holt (1997). "Latin and Greek Poetry by Five Renaissance Italian Women Humanists". In Barbara K. Gold, Paul Allen Miller, and Charles Platter, eds (ed.). Sex and Gender in Medieval and Renaissance Texts: The Latin Tradition. SUNY Series in Medieval Culture. Albany: State University of New York Press. pp. 247–285. {{cite book}}: |editor= has generic name (help)CS1 maint: multiple names: editors list (link)
Parkes, Malcolm Beckwith (1991). "The Literacy of the Laity". Scribes, Scripts and Readers: Studies in the Communication, Presentation and Dissemination of Medieval Texts. London: Hambledon Press. pp. 275–297.
Parks, Joan (1998). "Elizabeth Cary's Domestic History". In Helen Ostovich, Mary V. Silcox, and Graham Roebuck, eds (ed.). Other Voices, Other Views: Expanding the Canon in English Renaissance Studies. Newark: U of Delaware P. pp. 176–192. {{cite book}}: |editor= has generic name (help)CS1 maint: multiple names: editors list (link)
Patton, Elizabeth (2000). "Seven Faces of Cleopatra". In Susanne Woods and Margaret P. Hannay, eds (ed.). Teaching Tudor and Stuart Women Writers. Modern Language Association of America: Options for Teaching. New York: The Modern Language Association. pp. 289–294. {{cite book}}: |editor= has generic name (help)
Paxson, James J. (2005). "The Allegorical Construction of Female Feeling and Forma: Gender, Diabolism, and Personification in Hildegard of Bingen's Ordo Virtutum". In Lisa Renee Perfetti, ed (ed.). The Representation of Women's Emotions in Medieval and Early Modern Culture. Gainesville, FL: Florida UP. pp. 43–62. {{cite book}}: |editor= has generic name (help)
Pearson, Jacqueline (2001). "'An Emblem of Themselves, in Plum or Pear': Poetry, the Female Body and the Country House". In Barbara Smith and Ursula Appelt, eds (ed.). Write or Be Written: Early Modern Women Poets and Cultural Constraints. Women and Gender in Early Modern England. Aldershot, England: Ashgate. pp. 87–104. ISBN 1-84014-288-X. {{cite book}}: |editor= has generic name (help)
Pearson, Jacqueline (1996). "Women Reading, Reading Women". In Helen Wilcox, ed (ed.). Women and Literature in Britain, 1500-1700. Cambridge: Cambridge University Press. pp. 80–99. ISBN 0-521-46777-2. {{cite book}}: |editor= has generic name (help)
Pender, Patricia (2004). "Authorial Alibis: Early Modern Women's Writing and the Limits of Literature". Stanford University, Ph.D. diss. {{cite journal}}: Cite journal requires |journal= (help)
Pennell, Sara (2004). "Perfecting Practice? Women, Manuscript Recipes and Knowledge in Early Modern England". In Victoria E. Burke, Jonathan Gibson, and Elizabeth Clarke, eds (ed.). Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot, England: Ashgate. pp. 237–258. ISBN 0-7546-0469-1. {{cite book}}: |editor= has generic name (help)CS1 maint: multiple names: editors list (link)
Perfetti, Lisa R. (1998). "Men's Theories, Women's Laughter: The Thousand and One Nights and Women's Comic Pleasures in Medieval Literature". Exemplaria: A Journal of Theory in Medieval and Renaissance Studies. 10: 207–41.
Perfetti, Lisa, ed (2005). The Representation of Women's Emotions in Medieval and Early Modern Culture. Gainesville: Florida University Press. {{cite book}}: |first= has generic name (help)
Peters, Christine (2003). Patterns of Piety: Women, Gender and Religion in Late Medieval and Reformation England. Cambridge Studies in Early Modern British History. Cambridge; New York: Cambridge University Press.
Petti, Anthony G. (1977). English Literary Hands from Chaucer to Dryden. Cambridge, MA: Harvard University Press.
Pettit, Alexander (2003). "Terrible Texts, "Marginal" Works, and the Mandate of the Moment: The Case of Eliza Haywood". Tulsa Studies in Women's Literature. 22 (2): 293–314. ISSN 0732-7730.
Pirnie, Karen Worley (1995). "Research Sources on Seventeenth-century Women's Autobiography". In Robert C. Evans and Anne C. Little, eds (ed.). The Muses Females Are: Martha Moulsworth and Other Women Writers of the English Renaissance. Vol. 20. West Cornwall, CT: Locust Hill Press. {{cite book}}: |editor= has generic name (help)
Pitcher, John (2000). "Essays, Works and Small Poems: Divulging, Publishing and Augmenting the Elizabethan Poet, Samueal Daniel". In Andrew Murphy, ed (ed.). The Renaissance Text: Theory, Editing, Textuality. Manchester: Manchester UP. pp. 8–29. {{cite book}}: |editor= has generic name (help)
Pitts, Melanie E. (2003). "Lyric Warriors, Lyric Women: Gendering Petrarchism in Early Modern England". University of Miami, Ph.D. diss. {{cite journal}}: Cite journal requires |journal= (help)
Pratt, Kathryn (2003). "'Wounds Still Curelesse': Estates of Loss in Mary Wroth's Urania". In Corrine S. Abate, ed (ed.). Privacy, Domesticity, and Women in Early Modern England. Aldershot, England: Ashgate. pp. 45–62. ISBN 0-7546-3043-9. {{cite book}}: |editor= has generic name (help)
Prendergast, Maria Teresa Micaela (1999). Renaissance Fantasies: The Gendering of Aesthetics in Early Modern Fiction. Kent, Ohio: Kent State University Press. ISBN 0873386442 (alk. paper). {{cite book}}: Check |isbn= value: invalid character (help)
Prescott, Anne Lake (1985). "The Pearl of Valois and Elizabeth I: Marguerite de Navarre's Miroir and Tudor England". In Margaret P. Hannay, ed (ed.). Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works. Kent: The Kent State University Press. pp. 61–76. {{cite book}}: |editor= has generic name (help)
Price, Bronwen (2001). "A Rhetoric of Innocence: The Poetry of Katherine Philips, 'The Matchless Orinda'". In Barbara Smith and Ursula Appelt, eds (ed.). Write or Be Written: Early Modern Women Poets and Cultural Constraints. Women and Gender in Early Modern England. Aldershot, England: Ashgate. pp. 223–246. ISBN 1-84014-288-X. {{cite book}}: |editor= has generic name (help)
Price, Bronwen (2002). "Women's Poetry 1550-1700: 'Not Unfit to be Read'". In Anita Pacheco, ed (ed.). A Companion to Early Modern Women's Writing. Blackwell Companions to Literature and Culture. Oxford; Malden, MA: Blackwell. pp. 282–302. {{cite book}}: |editor= has generic name (help)

Q

Quilligan, Maureen (1990). "Feminine Endings: The Sexual Politics of Sidney's and Spenser's Rhyming". In Anne M. Haselkorn and Betty S. Travitsky, eds (ed.). The Renaissance Englishwoman in Print: Counterbalancing the Canon. Amherst: University of Massachusetts Press. pp. 311–326. {{cite book}}: |editor= has generic name (help)
Quinn, D. B. (1934). "Henry Fitzroy, Duke of Richmond, and His Connection With Ireland, 1529-30". Bulletin of the Institute of Historical Research. 12: 175–177.
Quitslund, Jon A. (1985). "Spenser and the Patronesses of the Fowre Hymnes: "Ornaments of All True Love and Beautie"". In Margaret P. Hannay, ed (ed.). Silent but for the Word: Tudor Women as Patrons, Translators, and Writers of Religious Works. Kent: The Kent State University Press. pp. 184–202. {{cite book}}: |editor= has generic name (help)

R

Rabb, Melinda Alliker (2002). "The Work of Women in the Age of Electronic Reproduction: The Canon, Early Modern Women Writers and the Postmodern Reader". In Anita Pacheco, ed (ed.). A Companion to Early Modern Women's Writing. Blackwell Companions to Literature and Culture. Oxford; Malden, MA: Blackwell. pp. 339–360. {{cite book}}: |editor= has generic name (help)
Radcliff-Umstead, Douglas (1975). The Roles and Images of Women in the Middle Ages and Renaissance. Vol. 3. Center for Medieval and Renaissance Studies Institute for the Human Sciences. {{cite book}}: Text "location: Pittsburgh" ignored (help)
Readings, Bill (1994). "When Did the Renaissance Begin? The Henrician Court and the Shakespearean Stage". In Peter C. Herman, ed (ed.). Rethinking the Henrician Era: Essays on Early Tudor Texts and Contexts. Urbana: University of Illinois Press. pp. 283–302. {{cite book}}: |editor= has generic name (help)
Rebholz, R. A., ed. (1978). Sir Thomas Wyatt: The Complete Poems. London: Penguin. {{cite book}}: |first= has generic name (help)
Reiss, Sheryl E. (2000). Beyond Isabella: Secular Women Patrons of Art in Renaissance Italy. Vol. 54. Kirksville, MO: Truman State University Press. ISBN 0943549787 0943549884. {{cite book}}: Check |isbn= value: length (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
Reitenbach, Gail (1990). "'Maydes are simple, some men say': Thomas Campion's Female Persona Poems". In Anne M. Haselkorn and Betty S. Travitsky, eds (ed.). The Renaissance Englishwoman in Print: Counterbalancing the Canon. Amherst: University of Massachusetts Press. pp. 80–95. {{cite book}}: |editor= has generic name (help)
Remley, Paul (1994). "Mary Shelton and Her Tudor Literary Milieu". In Peter C. Herman, ed (ed.). Rethinking the Henrician Era: Essays on Early Tudor Texts and Contexts. Urbana: University of Illinois Press. pp. 40–77. {{cite book}}: |editor= has generic name (help)
Reynolds, L. D. (1974). Scribes and Scholars: A Guide to the Transmission of Greek and Latin Literature. Oxford: Clarendon Press. ISBN 0198143729. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
Richey, Esther Gilman (1997). "`To undoe the booke': Cornelius Agrippa, Aemilia Lanyer and the Subversion of Pauline Authority". English Literary Renaissance. 27 (1): 106–129.
Rienstra, Debra K. (2002). "Mary Sidney, Countess of Pembroke, Psalmes". In Anita Pacheco, ed (ed.). A Companion to Early Modern Women's Writing. Blackwell Companions to Literature and Culture. Oxford; Malden, MA: Blackwell. pp. 111–124. {{cite book}}: |editor= has generic name (help)
Ringler, Jr., William A. (1990). "The Nutbrown Maid (A Reconstructed Text)". In Kirby Farrell, Arthur F. Kinney, and Elizabeth Hageman, eds (ed.). Women in the Renaissance: Selections from English Literary Renaissance. Amherst: U of Massachusetts P. pp. 3–27. {{cite book}}: |editor= has generic name (help)CS1 maint: multiple names: editors list (link)
Ringler, Jr., William A. (1992). Bibliography and Index of English verse in Manuscript, 1501-1558. London: Manswell. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
Roberts, Gareth (1997). "Women and Magic in English Renaissance Love Poetry". In Claude J. Summers and Ted-Larry Pebworth, eds (ed.). Representing Women in Renaissance England. Columbia: University of Missouri Press. pp. 59–75. {{cite book}}: |editor= has generic name (help)
Roberts, Josephine A. (1997). "Deciphering Women's Pastoral: Coded Language in Wroth's Love's Victory". In Claude J. Summers and Ted-Larry Pebworth, eds (ed.). Representing Women in Renaissance England. Columbia: University of Missouri Press. pp. 163–174. {{cite book}}: |editor= has generic name (help)
Roberts, Josephine A. (2000). "Diabolic Dreamscape in Lanyer and Milton". In Susanne Woods and Margaret P. Hannay, eds (ed.). Teaching Tudor and Stuart Women Writers. Modern Language Association of America: Options for Teaching. New York: The Modern Language Association. pp. 299–302. {{cite book}}: |editor= has generic name (help)
Roberts, Josephine A. (2000). "Lady Mary Wroth". In Susanne Woods and Margaret P. Hannay, eds (ed.). Teaching Tudor and Stuart Women Writers. Modern Language Association of America: Options for Teaching. New York: The Modern Language Association. pp. 145–154. {{cite book}}: |editor= has generic name (help); Unknown parameter |coauthors= ignored (|author= suggested) (help)
Roberts, Josephine A. (1995). ""My inward house": Women's Autobiographical Poetry in the Early Seventeenth Century". In Robert C. Evans and Anne C. Little, eds (ed.). The Muses Females Are: Martha Moulsworth and Other Women Writers of the English Renaissance. Vol. 20. West Cornwall, CT: Locust Hill Press. {{cite book}}: |editor= has generic name (help)
Roberts, Josephine A. (1990). "Radigund Revisited: Perspectives on Women Rulers in Lady Mary Wroth's Urania". In Anne M. Haselkorn and Betty S. Travitsky, eds (ed.). The Renaissance Englishwoman in Print: Counterbalancing the Canon. Amherst: University of Massachusetts Press. pp. 187–207. {{cite book}}: |editor= has generic name (help)
Roberts, Katherine J. (1993). Fair Ladies: Sir Philip Sydney's Female Characters. Vol. 9. New York: P. Lang. ISBN 0820421456.
Robertson, Karen (2004). "Negotiating Favour: The Letters of Lady Ralegh". In James Daybell, ed (ed.). Women and Politics in Early Modern England, 1450-1700. Aldershot, England: Ashgate. pp. 99–113. ISBN 0-7546-0988-X. {{cite book}}: |editor= has generic name (help)
Robin, Diana (1997). "Woman, Space, and Renaissance Discourse". In Barbara K. Gold, Paul Allen Miller, and Charles Platter, eds (ed.). Sex and Gender in Medieval and Renaissance Texts: The Latin Tradition. SUNY Series in Medieval Culture. Albany: State University of New York Press. pp. 165–187. {{cite book}}: |editor= has generic name (help)CS1 maint: multiple names: editors list (link)
Rollin, Roger B. (1997). "Robert Herrick's Housekeeper: Representing Ordinary Women in Renaissance Poetry". In Claude J. Summers and Ted-Larry Pebworth, eds (ed.). Representing Women in Renaissance England. Columbia: University of Missouri Press. pp. 201–215. {{cite book}}: |editor= has generic name (help)
Rollins, Hyder E., ed. (1929, 1965). Tottel's Miscellany (1557-1587). Vol. 2. Cambridge: Harvard University Press. {{cite book}}: |first= has generic name (help); Check date values in: |date= (help)
Romack, Katherine (2002). "Monstrous Births and the Body Politic: Women's Political Writings and the Strange and Wonderful Travails of Mistris Parliament and Mris. Rump". In Christina Malcolmson and Mihoko Suzuki, eds (ed.). Debating Gender in Early Modern England, 1500-1700. Early Modern Cultural Studies 1500-1700. New York, NY: Palgrave Macmillan. pp. 209–230. ISBN 0-312-29457-3. {{cite book}}: |editor= has generic name (help)
Rose, Mary Beth (1986). Women in the Middle Ages and the Renaissance: Literary and Historical Perspectives. Syracuse, N.Y.: Syracuse University Press. ISBN 0815623518 (hard alk. paper). {{cite book}}: Check |isbn= value: invalid character (help)
Ross, Sarah (2004). "'And Trophes of His Praises Make': Providence and Poetry in Katherine Austen's Book M, 1664-1668". In Victoria E. Burke, Jonathan Gibson, and Elizabeth Clarke, eds (ed.). Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot, England: Ashgate. pp. 181–204. ISBN 0-7546-0469-1. {{cite book}}: |editor= has generic name (help)CS1 maint: multiple names: editors list (link)
Rossini, Manuela S. (1998). "The New Domestic Ethic in English Renaissance Drama: Thomas Heywood's A Woman Killed with Kindness". In Annabelle Despard, ed (ed.). A Woman's Place: Women, Domesticity, and Private Life. Kristiansand: Agder College. pp. 106–117. {{cite book}}: |editor= has generic name (help)
Russell, Anne (2003). "Aphra Behn, Textual Communities, and Pastoral Sobriquets". English Language Notes. 40 (4): 41–50. ISSN 0013-8282.
Russell, Anne (2001). "'Public' and 'Private' in Aphra Behn's Miscellanies: Women Writers, Print, and Manuscript". In Barbara Smith and Ursual Appelt, eds (ed.). Write or Be Written: Early Modern Women Poets and Cultural Constraints. Women and Gender in Early Modern England. Aldershot, England: Ashgate. pp. 29–48. ISBN 1-84014-288-X. {{cite book}}: |editor= has generic name (help)

S

Sachs, Hannelore (1971). The Renaissance Woman. New York: McGraw Hill. ISBN 0070543755.
Salamone, Nadia Cannata (2000). "Women and the Making of the Italian Literary Canon". In Letizia Panizza, ed (ed.). Women in Italian Renaissance Culture and Society. Legenda. Oxford: European Humanities Research Centre. pp. 498–512. ISBN 1900755092. {{cite book}}: |editor= has generic name (help)
Salomon, Nanette (1994). "Positioning Women in Visual Convention: The Case of Elizabeth I". In Betty S. Travitsky and Adele Seeff, eds (ed.). Attending to Women in Early Modern England. Newark: U of Delaware P. pp. 64–95. {{cite book}}: |editor= has generic name (help)
Sanders, Julie (2001). Jo Wallwork and Paul Salzman, eds (ed.). "Women Writing, 1550-1750". 18: 47–57. {{cite journal}}: Cite journal requires |journal= (help); |chapter= ignored (help); |editor= has generic name (help)
Saunders, J. W. (1951). "From Manuscript to Print: A Note on the Circulation of Poetic MSS in the Sixteenth Century". Leeds Philosophical and Literary Society. 7 (5): 507–528.
Schiesari, Juliana (1991). "The Gendering of Melancholia: Torquato Tasso ad Isabella di Morra". In Marilyn Migiel and Juliana Schiesari, eds (ed.). Refiguring Woman: Perspectives on Gender and the Italian Renaissance. Ithaca: Cornell UP. pp. 233–262. {{cite book}}: |editor= has generic name (help)
Schiesari, Juliana (2003). "Petrarch's 'Ladies' and Sappho's 'Sirens': Fetishism and Mourning in Renaissance Women's Poetry". In Jennifer C. Vaught and Lynne Dickson Bruckner, eds (ed.). Grief and Gender: 700-1700. New York, NY: Palgrave Macmillan. pp. 95–103. ISBN 0-312-29382-8. {{cite book}}: |editor= has generic name (help)
Schutte, Kimberly (2002). "The Devonshire Manuscript". Biography of Margaret Douglas, Countess of Lennox (1515-1578): Niece of Henry VIII and Mother-in-Law of Mary, Queen of Scots. Studies in British History. Vol. 62.
Seaton, Ethel (1956). "The Devonshire Manuscript and Its Medieval Fragments". Review of English Studies. 7: 55–56.
Sessions, W.A. (1994). "Surrey's Wyatt: Autumn 1542 and the New Poet". In Peter C. Herman, ed (ed.). Rethinking the Henrician Era: Essays on Early Tudor Texts and Contexts. Urbana: University of Illinois Press. pp. 168–192. {{cite book}}: |editor= has generic name (help)
Shaver, Anne (2000). "Margaret Cavendish, Duchess of Newcastle". In Susanne Woods and Margaret P. Hannay, eds (ed.). Teaching Tudor and Stuart Women Writers. Modern Language Association of America: Options for Teaching. New York: The Modern Language Association. pp. 195–203. {{cite book}}: |editor= has generic name (help)
Shell, Alison (2004). "'Often to My Self I Make My Mone': Early Modern Women's Poetry from the Feilding Family". In Victoria C. Burke, Jonathan Gibson, and Elizabeth Clarke, eds (ed.). Early Modern Women's Manuscript Writing: Selected Papers from the Trinity/Trent Colloquium. Aldershot, England: Ashgate. pp. 259–276. ISBN 0-7546-0469-1. {{cite book}}: |editor= has generic name (help)CS1 maint: multiple names: editors list (link)
Sheppeard, Sallye (1998). "The Muse as Metaphor, The Muse as Symbol: Gender and Genre in Sixteenth and Seventeenth Century Poetry". Publications of the Mississippi Philological Association: 1–15.
Shifflett, Andrew (2001). "'Subdu'd by You': States of Friendship and Friends of the State in Katherine Philips's Poetry". In Barbara K. Smith and Ursula Appelt, eds (ed.). Write or Be Written: Early Modern Women Poets and Cultural Constraints. Women and Gender in Early Modern England. Aldershot, England: Ashgate. pp. 177–195. ISBN 1-84014-288-X. {{cite book}}: |editor= has generic name (help)
Siegfried, B. R. (2001). "An Apology for Knowledge: Gender and the Hermeneutics of Incarnation in the Works of Aemilia Lanyer and Sor Juana Inés de la Cruz". Early Modern Literary Studies. 6 (3): 5.1-47. ISSN 1201-2459.
Siemens, Raymond G. (2009). "Drawing Networks in the Devonshire Manuscript (BL Add 17492): Toward Visualizing a Writing Community's Shared Apprenticeship, Social Valuation, and Self-Validation". Digital Studies. 1 (1): n.p. {{cite journal}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
Siemens, Raymond G. (2008). "The Devil is in the Details: An Electronic Edition of the Devonshire MS (British Library Additional MS 17,492), its Encoding and Prototyping". New Technologies and Renaissance Studies. Tempe, Ariz: Medieval and Renaissance Texts and Studies. pp. 261–99. ISBN 0866983694. {{cite book}}: Unknown parameter |coauthors= ignored (|author= suggested) (help)
Silberman, Lauren (1986). "Singing Unsung Heroines: Androgynous Discourse in Book 3 of The Faerie Queene". In Margaret W. Ferguson, Maureen Quilligan, and Nancy J. Vickers, eds (ed.). Rewriting the Renaissance: The Discourses of Sexual Difference in Early Modern Europe. Women in Culture and Society. Chicago: University of Chicago Press. pp. xxxi, 426. ISBN 0226243133. {{cite book}}: |editor= has generic name (help)CS1 maint: multiple names: editors list (link)
Silcox, Mary V. (2000). "Aemilia Lanyer and Virtue". In Susanne Woods and Margaret P. Hannay, eds (ed.). Teaching Tudor and Stuart Women Writers. Modern Language Association of America: Options for Teaching. New York: The Modern Language Association. pp. 295–298. {{cite book}}: |editor= has generic name (help)
Smarr, Janet Levarie (2005). Joining the Conversation: Dialogues by Renaissance Women. Ann Arbor, MI: U of Michigan P. ISBN 0-472-11435-2.
Smarr, Janet Levarie (2001). "Substituting for Laura: Objects of Desire for Renaissance Women Poets". Comparative Literature Studies. 38: 1–31.
Smith, Cheryl Colleen (2001). "Out of Her Place: Early Modern Exploration and Female Authorship". Tufts University, Ph.D. diss. {{cite journal}}: Cite journal requires |journal= (help)
Smith, Emma (2000). "Ghost Writing: Hamlet and the Ur-Hamlet". In Andrew Murphy, ed (ed.). The Renaissance Text: Theory, Editing, Textuality. Manchester: Manchester UP. pp. 177–190. {{cite book}}: |editor= has generic name (help)
Smith, Helen (2002). "'Print[ing] Your Royal Father Off': Early Modern Female Stationers and the Gendering of British Book Trades". Text: An Interdisciplinary Annual of Textual Studies. 15: 163–186. ISSN 0736-3974.
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