Nepal Bhasa/Nepal Bhasa Literature

Literature edit

Nepal Bhasa literature has a long history. It has the fourth-oldest literature of the Sino-Tibetan languages (the first, second and third being Chinese, Tibetan and Burmese respectively).

Drama edit

Dramas are traditionally performed in open Dabu (stage). Most of the traditional dramas are related to deities and demons. Masked characters are central to such dramas. Music forms an important part of drama. Most of them are narrated with the help of songs sang at intervals. The drama as such resembles dance in many cases. The theme of most of the drama is to create a social wellbeing with morals illustrating the rise, turbulence and fall of evil. There are fixed dates in the Nepal Sambat (Nepal Era) calendar for performance of specific drama. Most of the dramas are carried out by specific Guthis.

Poetry edit

Poetry writing constituted a pompous part of medieval Malla aristocracy. Many of the kings were well renowned poets. Siddhidas Mahaju and Chittadhar Hridaya are two great poets in the language.

Prose fiction edit

This is a relatively new field of literature compared to other fields. Most of the fiction were written in poetry form till the medieval era. So, almost all of prose fiction belong to the modern Nepal Bhasa. Collective short stories in Nepal Bhasa are more popular than novels.

Story edit

The art of verbal story telling is very old in Nepal Bhasa. There are a variety of mythical and social stories that have aided in establishing the norm of Kathmandu valley. Stories ranging from the origin of Kathmandu valley to the temples of the valley and the important monuments have been passed down verbally in Nepal Bhasa and very few are present in written form. However, with an increase in literacy rate and an awareness amongst the people, those stories have been penned down. Stories on other topics have also taken root.