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eac3to/How to Use

< Eac3to
The latest reviewed version was checked on 14 June 2021. There are template/file changes awaiting review.

Software needed to run eac3to

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Taking the most out of eac3to involves using several external filters. These can be audio decoders and encoders or media splitters and muxers. As eac3to puts quality on top, it uses the best audio decoders available, but since most of them are commercial software, there also freeware alternatives (usually of lower sound quality though). Depending on what is the user's goal more or less of the filters below are needed. Evaluation of them is based on the comprehensive testing of the Doom9 forum members.

Audio Decoders

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AC3 decoding can be achieved through:

Nero7 uses Dolby's reference code and therefore should offer better sound quality over Libav / ffmpeg.

As a result Nero7 is the default decoder for AC3 format.

  • However, EAC3To's Nero 7 EAC3/AC3 Decoder is INCAPABLE of removing Dynamic Range Compression (DRC) and is generally considered the worst of the two options!

E-AC3 decoding can be achieved through:

Nero7 uses Dolby's reference code and therefore should offer better sound quality over Libav / ffmpeg.

Libav / ffmpeg would be the only one that can decode 7.1 channel audio tracks (this feature is not yet implemented though, as the decoder is still under development). Nero7 is the default decoder for E-AC3 format.

TrueHD decoding can be achieved through:

Both decode bit perfect. Nero7 is limited to 5.1 while Libav / ffmpeg can output up to 7.1 channels. However Libav is unable to decode files with mixed sampling rates (i.e. 96 kHz for Lf-Rf-C and 48 kHz for LFE-Ls-Rs).

Libav / ffmpeg is chosen as the default decoder for TrueHD.

DTS decoding can be achieved through:

Nero7 and Libav / ffmpeg are limited to 5.1 channel decoding.

Sonic may or may not output 6.1 channels depending on the source track. ArcSoft doesn't have any limitation, therefore it is the default decoder used.

DTS-HD decoding can be achieved through:

Both decode bit-perfect. Sonic is limited to 5.1 or 6.1 channels depending on the source track, while ArcSoft can output up to 7.1 channels.

As a result ArcSoft is the default decoder for DTS-HD.

FLAC decoding can be achieved through the official Free Lossless Audio Codec (ships with eac3to package)

Audio Encoders

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Splitters and Muxers

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  • For Matroska muxing, Haali Matroska Muxer is needed (it's part of Haali Media Splitter package).

Command Line Syntax

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There are basically 3 ways to use eac3to depending on the input file(s): 1. audio or video file, 2. Container file or 3. Disc folder.

Using audio or video files as input

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In this category we deal with inputs like simple audio files (AC3, TrueHD, DTS-HD, WAV, etc.) or simple video files (e.g. raw H.264, VC-1 or MPEG-2 streams). In this case the command line will look like this:

eac3to input.file+input.file.2 output.file -options

  • input.file ~ It's the file to be processed. eac3to can accept various audio formats like RAW, (L)PCM, WAV (PCM only), W64 (like WAV without the 4 GB limit), RF64 (like W64), AC3, E-AC3, DTS, DTS-ES, DTS-96/24, DTS-HD Hi-Res, DTS-HD Master Audio, MLP, TrueHD, TrueHD/AC3, FLAC, video formats like VC-1, H.264, MPEG-2.
  • +input.file.2 ~ Multiple input files (of the same format) are accepted. This is useful when the input file is split among several parts. Use the + symbol to add more.
  • output.file ~ This is the output file that eac3to will create. It could be an audio format like RAW, (L)PCM, WAV (PCM only), WAVs (multiple mono WAV files, PCM only), W64, RF64, AC3, DTS, FLAC, video format like VC-1, H.264, MPEG-2 or Matroska (MKV) container. eac3to can also output audio (only) data to stdout for further processing by other applications.
  • -options ~ Here you can set the options that tell eac3to how to operate. Not all of them are applicable to all input / output formats. If none set, the default is used when necessary. When using an audio or video file as input, the following options are available:
Switch Input file must be Output file must be Use to...
-192, -224, -384, -448, -640 any audio format AC3 set a bitrate of 192..448 (default for stereo)..640 (default for 5.1) kb/s for AC3 encoding
-768, -1536 any audio format DTS set a bitrate of "768" or "1536" (default value) kbps for DTS encoding
-core DTS-HD or TrueHD DTS or AC3 extract the DTS core of a DTS-HD track or the AC3 core of a TrueHD track
±100ms any audio format any audio format apply a positive or negative delay
-edit=0:00:00.000,0ms any audio format any audio format loops or removes audio data at the specified runtime
-silence/-loop any audio format any audio format forces usage of silence (or looping) for audio edits
+3dB, -3dB any audio format any audio format apply an arbitrary positive or negative audio gain (volume change)
-normalize any audio format any audio format gain output to 0 dB (2 pass)
-0,1,2,3,4,5 any audio format any audio format remap channels to the specified order
-mono any audio format any audio format decode only Center channel (Left if stereo)
-double7 any 6.1 audio track any audio format upmix 6.1 to 7.1 (duplicate Back Center)
-down6 any 6.1 or 7.1 audio track any audio format downmix 7 or 8 channels to 6 channels
-downDpl any audio format any audio format downmix multichannel audio to stereo (Dolby Pro Logic II)
-downStereo any audio format any audio format downmix multichannel audio to stereo (Simple)
-phaseShift any multichannel audio format any audio format shift phase of surround channels(when doing stereo downmix)
-mixlfe any .1 audio format any audio format mix LFE in (when doing stereo downmixing, see here)
-down16 any audio format any audio format downconvert decoded audio data to 14..23 bit
-full any audio format any audio format outputs audio as 64-bit floating point PCM
-simple any audio format WAV use simple header instead WAVE_FORMAT_EXTENSIBLE
-99mb any format any format stop conversion after reach x MB of input file
-changeTo24.000 any format any format change source fps to "23.976", "24.000", "25.000", ...
-23.976/... any format any format define source fps to be "23.976", "24.000", "25.000", ...
-slowdown any format any format reverse PAL speedup (25.000 -> 24.000/1.001 fps)
-speedup any format any format apply PAL speedup (24.000/1.001 -> 25.000 fps)
-resampleTo48000 any audio format any audio format resample audio to "44100" Hz, "48000" Hz, "88200" Hz or "96000" Hz
-r8brain any audio format any audio format Use r8brain to resample instead default SSRC
-quality=0.35 any audio format M4A / MP4 Nero AAC encoding quality (0.00=lowest; 1.00=highest) (default: 0.5)
-decodeHdcd HDCD source any audio format decodes HDCD source track (usually 16 -> 20 bit)
-8 LPCM / RAW any audio format PCM / RAW file has 1..8 channels
-8 DTS / DTS-HD any audio format requests that the ArcSoft decoders output 2, 6, 7, or 8 channels of audio, using the decoder's internal mixing
-16 / -24 LPCM / RAW any audio format PCM / RAW file is "16" or "24" bit
-little / -big LPCM / RAW any audio format PCM / RAW file is "little" or "big" endian
-48000 LPCM / RAW any audio format PCM / RAW file is "44100" Hz, "48000" Hz, "88200" Hz, "96000" Hz or "192000" Hz
-override LPCM / RAW any audio format forcefully override LPCM / RAW auto detection with manual values
-sonic / -nero / -libav / -arcsoft any compressed audio format any audio format force the use of a specific decoder (not recommended)
-keepDialnorm AC3, E-AC3, TrueHD, MLP ??? any audio format disable dialog normalization removal (not recommended)
-no2ndpass turns off 2nd pass processing
-logdts DTS display detailed info about DTS track
-dontPatchDts disable 16bit->24bit patching. 16-bit DTS-HD tracks will be dithered from 24 bit to 16 bit by decoder
-keepPulldown VC-1, H.264, MPEG-2 same as input or MKV disable removal of pulldown for MPEG2, h264 and VC-1 tracks (not recommended)
-skip2 VC-1, H.264 ??? same as input ??? or MKV skips the first 1..99 VC-1 sequence headers
-seekToIFrames H.264 MKV make all H.264 / AVC "I" frames seekable
-check EVO, M2TS, TS none checks if the source EVO, M2TS, TS file is clean
-test checks if the external filters are installed & working properly
-progressnumbers outputs one new line to the command window for every progress (for GUIs).
-lowPriority moves processing to background/idle priority
-shutdown automatically shutdown the PC after processing is done
-log="filename.txt" Writes output log to specified filename

Examples

  • Convert an AC3 track to a 384 kbps AC3 one, using Nero AC3 decoder (default) and Aften AC3 encoder:
eac3to input.ac3 output.ac3 -384
  • Convert an E-AC3 track to a 1536 kbps DTS one, using Nero E-AC3 decoder (default) and Surcode DTS encoder:
eac3to input.eac3 output.dts
  • Convert a DTS-HD Master Audio track to a FLAC one, using ArcSoft DTS-HD decoder (default) and FLAC encoder:
eac3to input.dtshd output.flac
  • Convert a DTS track to a AC3 one, using libav encoder:
eac3to input.dts output.ac3 -libav
  • Convert a TrueHD track to a 640 kbps AC3 one, using Nero TrueHD decoder (non default) and Aften AC3 encoder:
eac3to input.thd output.ac3 -nero
  • Decode a 24 bit 96 kHz MLP track using MLP libav / ffmpeg decoder (default), downsample it to 16 bit 44.1 kHz and output data to stdout (e.g. for encoding to MP3, ACC or OGG format):
eac3to input.mlp output.stdout -down16 -resampleTo44100
  • Extract the DTS core of a DTS-HD track:
eac3to input.dtshd output.dts -core
  • Extract the AC3 core of a TrueHD track:
eac3to input.thd output.ac3 -core
  • Delay an E-AC3 track by +178ms:
eac3to input.eac3 output.eac3 +178ms
  • Reverse PAL speedup to an E-AC3 track and convert it to a 192 kbps AC3 one, using Nero E-AC3 decoder (default) and Aften AC3 encoder:
eac3to input.eac3 output.ac3 -slowdown -192
  • Convert a 16 bit 48 kHz 5.1 LPCM track to 6 mono WAV tracks, when eac3to detects the LPCM track parameters automatically:
eac3to input.pcm output.wavs
  • Convert a 16 bit 48 kHz 5.1 LPCM track to 6 mono WAV tracks, when eac3to can't figure out the LPCM track parameters (manual setting is necessary):
eac3to input.pcm output.wavs -override -16 -48000 -6 -little
  • Convert a Blu-ray 7.1 PCM track to a 5.1 640 kbps AC3 one, using Aften AC3 encoder:
eac3to input.pcm output.ac3 -down6
  • Multiplex a VC-1 video stream to MKV container while removing the pulldown flags (default behavior):
eac3to input.vc1 output.mkv
  • Multiplex an H.264 video stream to MKV container while keeping the pulldown flags:
eac3to input.h264 output.mkv -keeppulldown

Using container files as input

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These files contain one or more audio and video streams (tracks). By setting such file as input, eac3to can list all streams inside and give numbers (stream/track number) to each one. This way the user can explicitly set which stream wants to process. eac3to command line will look like this:

eac3to input.file+input.file.2 trackno: output.file -options trackno: output.file -options

  • input.file ~ Container inputs can only be in EVO, M2TS, TS and VOB format.
  • +input.file.2 ~ Multiple input files (of the same format) are accepted. This is useful when the input file is split among several parts (e.g. a set of 2 main movie EVO files in a HD DVD or 2 or more M2TS parts of a seamless branching Blu-ray Disc). Use the + symbol to add more. With Blu-ray Disc we can use also like input the .mpls files in PLAYLIST folder.
  • output.file ~ This is the output file that eac3to will create. It could be an audio format like RAW, (L)PCM, WAV (PCM only), WAVs (multiple mono WAV files, PCM only), W64, RF64, AC3, DTS, FLAC, video format like VC-1, H.264, MPEG-2 or Matroska (MKV) container. eac3to can also output audio (only) data to stdout for further processing by other applications.
  • trackno: ~ It applies only to container source files and refers to the tracks/streams inside them.
  • -options ~ Here you can set the options that tell eac3to how to operate. Not all of them are applicable to all input / output formats. If none set, the default is used when necessary.

The logic behind this is simple: Using the various streams inside the container as source, eac3to can output one or more of them to their original or not format. Here rises the question: How can i choose the stream i want? This can be done using the stream/track numbers (e.g. 3: ). The output files can be from all audio and video formats that have been used in the previous case. All options listed in the previously plus the following can be used when we are dealing with container inputs:

Switch Input file must be Output file must be Use to...
-demux EVO, VOB, M2TS, TS (any container) not applicable demux main (1st) video track and all audio tracks

To get an idea how the stream/track list looks like when we feed eac3to with container files will use the 2 main movie EVO files of an HD DVD. Running eac3to FEATURE_1.EVO+FEATURE_2.EVO we get: 

 EVO, 1 video track, 3 audio tracks, 5 subtitle tracks, 1:55:33
 1: Joined EVO file
 2: h264/AVC, 1080p24 /1.001 (16:9) with pulldown flags
 3: E-AC3, 5.1 channels, 1536kbps, 48khz, dialnorm: -27 dB, -65ms
 4: E-AC3, 5.1 channels, 768kbps, 48khz, dialnorm: -27 dB, -76ms
 5: AC3, 2.0 channels, 192kbps, 48khz, dialnorm: -27 dB, -92ms
 6: Subtitle
 7: Subtitle
 8: Subtitle
 9: Subtitle
 10: Subtitle

Here we are informed of all video, audio and subtitle stream inside our source files. To process one of them we just have to add the appropriate number before the output file, like this: eac3to eac3to FEATURE_1.EVO+FEATURE_2.EVO 3: audio.dts

In the following examples various containers are used as source and we have already obtain the stream numbers.

  • Demux 1st video track and all audio tracks of a set of two HD DVD EVO files:
eac3to feature1.evo+feature2.evo -demux
  • Demux the H.264 video stream [id 2] of a blu-ray M2TS file:
eac3to 00001.m2ts 2: video.h264
  • Demux the VC-1 video stream [id 2], TrueHD audio track [id 3] and E-AC3 audio track [id 5] of a 3 part seamless branching Blu-ray movie (files 00001.m2ts, 00002.m2ts and 00003.m2ts) to the specified directories:
eac3to 00001.m2ts+00002.m2ts+00003.m2ts 2: c:\folder\video.vc1 3: c:\folder\audio1.thd 5: d:\folder1\folder2\audio2.eac3
  • Convert 1st video track of an EVO file to MKV, convert all lossless audio tracks to FLAC and demux all compressed audio tracks at once:
eac3to input.evo output.mkv
  • Convert an HD DVD video stream [id 2] (set of two EVO files) to MKV and also convert a DTS-HD audio track [id 4] to a FLAC one:
eac3to feature1.evo+feature2.evo 2: video.mkv 4: audio.flac
  • Convert an HD DVD VC-1 video stream [id 3] (set of two EVO files) to MKV while skipping the first 3 erroneous sequence headers, convert a TrueHD audio track [id 4] to a FLAC one while downconverting it from 24 bit to 16 bit and convert an E-AC3 audio track [id 5] to a 768 kbps DTS one using libav / ffmpeg E-AC3 decoder (non default):
eac3to feature1.evo+feature2.evo 3: video.mkv -skip3 4: audio1.flac -down16 5: audio2.dts -768 -libav

Using complete disc structure as input

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This is the most exciting possibility of eac3to and requires complete disc structure, like HD DVD or Blu-ray Disc. Why is exciting? Because we get the correct playback order of the numerous M2TS parts (seamless branching Blu-ray Discs) automatically. Also we get additional info like chapters and subtitle and audio track languages.

It takes 3 steps: 1. Read the root folder of the disc. This way you get a list of all available titles/playlists in the disc. 2. Select the appropriate title/playlist. This actually means you select the actual files (containers) to process. 3. Convert/edit and output the streams inside the container to a different format.

As examples we 'll use an HD DVD (Galapagos) and a Blu-ray Disc (Rambo IV), both ripped to the hard disc.

STEP 1: By typing eac3to "G:\Galapagos HD DVD 1080p VC-1 DD 2.0" the title playlist of the disc is generated. 

1) EPISODE1.EVO+EPISODE2_1.EVO+EPISODE2_2.EVO+EPISODE3.EVO, 2:26:44
   "PlayAll"
   - VC-1, 1080i (16:9)
   - E-AC3, 2.0, 48 kHz

2) EPISODE1.EVO, 0:49:02
   "Episode1"
   - VC-1, 1080i (16:9)
   - E-AC3, 2.0, 48 kHz

3) EPISODE2_1.EVO+EPISODE2_2.EVO, 0:48:55
   "Episode2"
   - VC-1, 1080i (16:9)
   - E-AC3, 2.0, 48 kHz

 4) EPISODE3.EVO, 0:48:47
   "Episode3"
   - VC-1, 1080i (16:9)
   - E-AC3, 2.0, 48 kHz

 5) PLANETEARTHTRL.EVO, 0:01:02
   "Planet Earth Trailer"
   - VC-1, 1080p (16:9)
   - E-AC3, 2.0, 48 kHz

STEP 2: By adding the title number you want, the above command changes to eac3to "G:\Galapagos HD DVD 1080p VC-1 DD 2.0" 3) and the stream/track list of the specific title is generated. 

EVO, 1 video track, 1 audio track, 1 subtitle track, 0:48:58
"Episode2"
1: Joined EVO file
2: Chapters, 6 chapters with names
3: VC-1, 1080i60 /1.001 (16:9)
4: AC3, 2.0 channels, 448kbit/s, 48khz, dialnorm: -27 dB
5: Subtitle, English

STEP 3: Finally, choose the tracks that are going to be processed and output like this:eac3to "G:\Galapagos HD DVD 1080p VC-1 DD 2.0" 3) 2: galapagos.ep2.chapters.txt 3: galapagos.ep2.mkv 4: galapagos.ep2.ac3 5: galapagos.ep2.sup 

EVO, 1 video track, 1 audio track, 1 subtitle track, 0:48:58
"Episode2"
1: Joined EVO file
2: Chapters, 6 chapters with names
3: VC-1, 1080i60 /1.001 (16:9)
4: AC3, 2.0 channels, 448kbit/s, 48khz, dialnorm: -27 dB
5: Subtitle, English
Creating file "galapagos.ep2.chapters.txt"...
Extracting primary video track...
Muxing video to Matroska...
Extracting audio track number 4...
Removing dialog normalization...
Extracting subtitle track number 5...
Creating file "galapagos.ep2.ac3"...
...
...
...

Now, let's try the Blu-ray disc. This is a seamless branching disc and reveals eac3to's power:

STEP 1: By typing eac3to "F:\Rambo IV 2008 Blu-ray 1080p H.264 DTS-HD MA 7.1" the title playlist of the disc is generated. 

1) 00041.mpls, 2:00:22
   [112+127+115+128+117+129+119+130+121+131+123+132+125].m2ts
   - h264/AVC, 1080p24 /1.001 (16:9)
   - h264/AVC, 480p24 /1.001 (16:9)
   - DTS Master Audio, English, multi-channel, 48 kHz
   - AC3, French, multi-channel, 48 kHz
   - AC3, English, stereo, 48 kHz

2) 00042.mpls, 2:00:22
   [112+127+115+128+117+129+119+130+121+131+123+132+125].m2ts
   - h264/AVC, 1080p24 /1.001 (16:9)
   - h264/AVC, 480p24 /1.001 (16:9)
   - DTS Master Audio, English, multi-channel, 48 kHz
   - AC3, French, multi-channel, 48 kHz
   - AC3, English, stereo, 48 kHz

3) 00040.mpls, 1:31:32
   [112+114+115+116+117+118+119+120+121+122+123+124+125].m2ts
   - h264/AVC, 1080p24 /1.001 (16:9)
   - h264/AVC, 480p24 /1.001 (16:9)
   - DTS Master Audio, English, multi-channel, 48 kHz
   - AC3, French, multi-channel, 48 kHz
   - AC3, English, stereo, 48 kHz

4) 00037.mpls, 1:10:56
   [87+88+89+90+91+92+93].m2ts
   - MPEG2, 1080i30 /1.001 (16:9)
   - AC3, English, stereo, 48 kHz

5) 00056.mpls, 00125.m2ts, 0:25:16
   - h264/AVC, 1080p24 /1.001 (16:9)
   - h264/AVC, 480p24 /1.001 (16:9)
   - DTS Master Audio, English, multi-channel, 48 kHz
   - AC3, French, multi-channel, 48 kHz
   - AC3, English, stereo, 48 kHz

6) 00046.mpls, 00115.m2ts, 0:22:32
   - h264/AVC, 1080p24 /1.001 (16:9)
   - h264/AVC, 480p24 /1.001 (16:9)
   - DTS Master Audio, English, multi-channel, 48 kHz
   - AC3, French, multi-channel, 48 kHz
   - AC3, English, stereo, 48 kHz

7) 00011.mpls, 00087.m2ts, 0:19:45
   - MPEG2, 1080i30 /1.001 (16:9)
   - AC3, English, stereo, 48 kHz

STEP 2: By adding the title number you want, the above command changes to eac3to "F:\Rambo IV 2008 Blu-ray 1080p H.264 DTS-HD MA 7.1" 1) and the stream/track list of the specific title is generated (note: not always the title with the longer runtime is the main movie). 

M2TS, 2 video tracks, 3 audio tracks, 2:00:22
1: Chapters, 17 chapters
2: h264/AVC, 1080p24 /1.001 (16:9)
3: h264/AVC, 480p24 /1.001 (20:11)
4: DTS Master Audio, English, 5.1 channels, 24 bits, 48khz
5: AC3, French, 5.1 channels, 640kbit/s, 48khz, dialnorm: -27 dB
6: AC3, English, 2.0 channels, 192kbit/s, 48khz, dialnorm: -27 dB

STEP 3: Finally, choose the tracks that are going to be processed and output like this: eac3to "F:\Rambo IV 2008 Blu-ray 1080p H.264 DTS-HD MA 7.1" 1) 1: c:\rambo\rambo.chapters.txt 2: c:\rambo\rambo.mkv 4: c:\rambo\rambo.flac 4: c:\rambo\rambo.dts -core 5: c:\rambo\rambo.comm.ac3 

M2TS, 2 video tracks, 3 audio tracks, 2:00:22
1: Chapters, 17 chapters
2: h264/AVC, 1080p24 /1.001 (16:9)
3: h264/AVC, 480p24 /1.001 (20:11)
4: DTS Master Audio, English, 5.1 channels, 24 bits, 48khz
5: AC3, French, 5.1 channels, 640kbit/s, 48khz, dialnorm: -27 dB
6: AC3, English, 2.0 channels, 192kbit/s, 48khz, dialnorm: -27 dB
Creating file "c:\rambo\rambo.chapters.txt"...
[v02] Extracting video track number 2...
[a04] Extracting audio track number 4...
[a04] Extracting audio track number 4...
[a05] Extracting audio track number 5...
[v02] Muxing video to Matroska...
[a04] Extracting DTS core...
[a04] Decoding with DirectShow (Sonic Audio Decoder)...
[a05] Removing dialog normalization...
[a04] DirectShow reports 5.1 channels, 24 bits, 48 kHz
[a04] Encoding FLAC...
[a04] Creating file "c:\rambo\rambo.flac"...
[a04] Creating file "c:\rambo\rambo.dts"...
[a05] Creating file "c:\rambo\rambo.comm.ac3"...
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This is some basic advice on what audio conversion should and shouldn't be done. Generally, dealing with movie audio requires 4 things to have in mind:

  • What is the original (source) format?
  • How much space do you have to consume?
  • How will the audio be transmitted to the receiver/speakers?
  • Do you own an expensive high fidelity home cinema system?

Usually, people convert lossless audio tracks to FLAC, high bitrate lossy tracks (e.g. 1536 kbit/s E-AC3 and DTS-HD Hi Res) to 640 kbit/s AC3 or 1536 kbit/s DTS, and lower bitrate lossy tracks to 448 kbit/s AC3 audio or 768 kbit/s DTS. Of course, when both lossless and lossy audio tracks are available for a movie, it is recommended that the lossless track should be used as the source file for the new audio creation. Another thing to have in mind is whether the audio will be passed through HDMI, S/PDIF, or analog connection. AC3 & DTS can be transmitted through S/PDIF, unlike FLAC, which makes them very popular.

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